On objects.
On evidence.
On what remains unknown.
Collection histories / Nine profiles
Names lead to collections, correspondence, catalogues and museum histories. These profiles identify research contexts, not ownership claims for unrelated works.
Russian avant-garde
His collection’s public site separates catalogue and exhibition references from restricted original research files. The review examines these categories and five reported museum projects from 2005–2009.
Collection / institutional sourceFrench modern art
The historical collection was the subject of Fondation Louis Vuitton’s 2016–2017 exhibition.
Collection / institutional sourceFrench and Russian modern art
One of the two brothers whose collection was brought together at Fondation Louis Vuitton in 2021–2022.
Collection / institutional sourceFrench and Russian modern art
The Morozov exhibition connects his collecting with that of his brother Ivan.
Collection / institutional sourceRussian avant-garde
The Costakis Collection is central to the preservation and research remit of MOMus’s Museum of Modern Art.
Collection / institutional sourceModern art
Guggenheim exhibited her collection at the Venice Biennale in 1948 and opened her Venetian home to visitors from 1951.
Collection / institutional sourceModern and contemporary art
The Beyelers made their collection publicly accessible at Fondation Beyeler in 1997.
Collection / institutional sourceMinimal and conceptual art
The National Gallery of Art’s account follows their collecting and the public life of the works they gave away.
Collection / institutional sourceEuropean and Asian art
Simon assembled European works and South and Southeast Asian art over three decades of collecting.
Collection / institutional source